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Danish musician

Agnes Obel
white female standing onstage, playing keyboard instrument and singing into microphone

Obel performing in 2020
Background data
Born (1980-10-28) 28 October 1980 (age 41)
Copenhagen, Denmark
Origin Berlin, Germany
Genres
  • Chamber pop
  • neo-classical
  • jazz
Occupation(s)
  • Singer
  • songwriter
  • musician
Instruments Vocals, piano
Years active 2008–nowadays
Labels
  • PIAS Recordings
  • Deutsche Grammophon
  • Universal Classics
Website agnesobel.com

Musical creative person

Agnes Caroline Thaarup Obel (born 28 October 1980)[one] is a Danish singer, songwriter, and musician based in Berlin. Her debut album, Philharmonics (2010), was released past PIAS Recordings, and was certified gold in June 2011 by the Belgian Entertainment Clan (BEA) later selling 10,000 units.[2] At the Danish Music Awards in Nov 2011, Obel won five prizes, including Best Album and Best Debut Artist.[3] Her second album Aventine (2013) received positive reviews and charted inside the top xl of the charts in ix countries.

Obel'south tertiary album Citizen of Glass (2016) received acclamation from music critics and the IMPALA Anthology of the Year Award 2016.[4] In 2018, she curated and performed a compilation anthology for Late Night Tales series titled Late Night Tales: Agnes Obel. Information technology features artists such as Nina Simone, Henry Mancini, Ray Davies, Michelle Gurevich, Can, and Yello. Her fourth album, Myopia was released in Feb 2020.

Early life [edit]

Agnes Caroline Thaarup Obel was born in Gentofte, Copenhagen on 28 Oct 1980, the elder of two siblings. She and her younger brother, Holger, grew up in an anarchistic environs, with a male parent who had three children from another marriage. He loved to collect strange objects and instruments. Her mother, Katja Obel, was a jurist and musician and she used to play Bartók and Chopin on the piano at home.[5] Obel learned to play the piano at a very young historic period. About her learning, she said: "I had a classical piano teacher who told me that I shouldn't play what I didn't like. So I only played what I liked. I was never forced to play anything else."[6] During her childhood, she plant inspiration in Jan Johansson's piece of work. Johansson'southward songs, European folk tunes washed in a jazzy style, have been a strong influence on her musically.[7]

In 1990, she joined a modest band as a singer and bass guitar player. The group appeared at a festival and recorded some tunes.[viii] In 1994, she had a pocket-size office in the short film The Boy Who Walked Backwards / Drengen der gik baglæns by Thomas Vinterberg. Her blood brother, Holger Thaarup, played the main character in the picture. Credited as Agnes Obel, she appears in two scenes. She plays a student who shares her table with the new student Andreas (Holger Thaarup).[9]

She attended high schoolhouse at Det frie Gymnasium, a free school where she was able to play a good deal of music. However, she quickly dropped out of school.[x] "At seventeen,(...) I met a man who was running a studio. I gave up chop-chop my musical studies to learn audio techniques."

Career [edit]

2008–2010: Philharmonics [edit]

Obel debuted as a solo vocalizer with her first album Philharmonics (2010). She wrote, played, sang, recorded, and produced all the material herself. "The orchestral or symphonic music never interested me. I always was attracted by elementary melodies, almost childish.(…) I put a long time before writing texts because the music seems to tell already a story, to project images."[5] According to Obel, her piano is much more than than an instrument: "The pianoforte and the singing are two equal things to me – possibly non inseparable but very connected. You lot can say they are like 2 equal voices."[11] She has said that, "The music is the most obvious means to express what I am, where I am."[12]

All of the songs on Philharmonics are original work except "Close Picket" ("I Keep A Close Watch" by John Cale) & "Katie Roughshod" (a folk traditional; as the iTunes bonus track of the album). In Live à Paris, released on 11 April 2011 on iTunes, she sings a cover of Elliott Smith'southward "Between The Bars". Furthermore, Obel did a duet with Editors singer Tom Smith, performing "The Christmas Song" by Mel Tormé – to be institute on the Smith & Burrows album Funny Looking Angels (released in November 2011).

Obel at the Cirque Regal, Brussels (2011)

Philharmonics has garnered more often than not positive reviews with, for case, James Skinner from the BBC saying that "the compositions... are slow, sombre, sepulchral even, but not without a sense of occasionally singular dazzler".[13] In the French cultural magazine Les Inrockuptibles, Johanna Seban spoke most a "convincing purity" and stated, "In that location is, in these deeply melancholic ballads, the clearness and reassuring nobility of bedside discs."[14] In Musicomh, Ben Edgell wrote that Obel "sings with a hushed and tender grace that waxes contemplative and serene over yearning cello, harp, and piano vignettes. She'south a fey siren, with a dusky, well-nigh-whispered vocal that speaks to Ane Brun or Eva Cassidy."[15] French journalists accept called her "A revelation to follow".[16]

Obel'south offset anthology was also a commercial success. In March 2011, she appeared for the beginning time in the United states. At the S by Southwest (SXSW) music festival in Austin, she performed all the songs on the anthology.[17]

Iii songs from the anthology were on the soundtrack of the 2009 motion picture Submarino (Riverside, Brother Sparrow, and Philharmonics).[18] "Riverside" was featured in the episode "Non Responsible" of Greyness's Beefcake, in Episode 12 of the second flavour of Offspring, in the episode "Duplicity" from Revenge, and in the episode "What Are You Doing Hither, Ho-Bag?" from The CW's Ringer.[nineteen] "Artery" was played in the episode "Trust" from Revenge.[xx] "Fuel to Burn down" was used in the episode "The Large Uneasy" of The Originals. In April 2011, the Danish group Lulu Rouge released a remixed version of "Riverside". Keeping the rails's original dazzler, Lulu Rouge added their special electronic tempo.[21] Prior to the release of "Philharmonics", the soft, soothing tunes of "Merely And so" were used as the soundtrack of a commercial for Deutsche Telekom on German language Telly in 2008.

PIAS Recordings released a Deluxe Version of Philharmonics on 7 Feb 2011. The Deluxe Version contains 5 more tracks. Two instrumentals ("Riverside" and "Merely So") and three alive songs: "Over the Hill", "Just And so", and the new track "Smoke & Mirrors". On the Riverside EP, Obel sings "Sons & Daughters". This rails is just available on the EP.

In June 2011, Philharmonics was certified gilded by the Belgian Entertainment Clan (BEA) later on selling 10,000 units.[2] In February 2011, her start anthology was nominated for the 'Impala European Independent Album of the Year'[22] and the song Riverside (from the Submarino's soundtrack) won the Robert Accolade for the Best Song of the year 2011.[23]

In Oct 2011, Obel won 2012 European Border Breakers Accolade. The prize celebrates the superlative new talents in European pop music who "accept all succeeded in reaching out to audiences across their dwelling state through their talent and energy."[24]

In November 2011, she won five prizes at the Danish Music Awards for her first album Philharmonics. She won Best Album of the Year, Best Pop Release of the Year, Best Debut Artist of the Year, Best Female person Artist of the Year, and All-time Songwriter of the Year.[3]

2011–2014: Aventine [edit]

Obel began working on her second album in 2011. Well-nigh her new album, she said, "I started to write new pieces, but all were instrumental ones, with the piano solitary… In this moment, I feel more inclined to compose instrumental pieces. I already started to write some texts, merely for me, information technology's more difficult to compose melodies."[12]

In January 2013, Obel started mixing her new album.[25] On xx June 2013, she revealed that the new anthology, Aventine, would be released on 30 September 2013.[26]

"On the last album, I didn't desire to disturb the melody with too many stories. This time, I wanted to know if I was able to create images with words, with the sound of words.(...) I think that's a good thing when the one who is listening, is feeling it in a dissimilar manner that the one who creates. We are all listening with dissimilar perspectives.(...) I don't desire to impose my subjectivity to the listener."

Obel on Aventine [27]

On Aventine, Obel commented: "I recorded everything quite closely, miking everything closely in a small room, with voices here, the piano here – everything is close to you. Then it'southward sparse, simply by varying the dynamic range of the songs I could create near soundscapes. I was able to make something experience large with just these few instruments."[28]

She played at the iTunes Uk Festival at the Roundhouse in London on 17 September 2013.[29]

Frank Eidel from quebecspot.com, commented: "It's a fascinating collection of remarkable pieces, with rich and intense arrangements supported past Obel'south dazzling vox."[xxx]

On 24 September 2014, Aventine became available on iTunes. Tom Burgel wrote: "The few reactions collected have been very positive and, already, full with love: The elegance of Agnes and the rare grace of her writings will crusade, without any doubts, some strong palpitations in the hearts of the amateurs."[31]

The web site Mushroompromotions said: "'Aventine' is a beautiful record, intriguingly unhurried. If the first record was a wander through the woods, this ane takes the time to encounter the beauty and feel the texture in a single leaf. It is at once microcosmic and universal. (...) Agnes creates her own world, or as she calls it, a bubble or bell jar, to brand her music. Once within (or should that be exterior?), she'south no longer witting of what's going on. This is the mystery of her modus operandi, something she cannot explain. Which simply adds to the ethereal quality of her music."[32]

In October 2014 a palatial edition of Aventine was released. This album featured 3 new songs. The deluxe edition also contains a remix of 'Fuel to Fire' by David Lynch, who commented: "I loved doing this remix. I was turned onto Agnes' music through my record label... I think she has a most beautiful voice and tin can do things with her vox that are unique and extraordinary."[33]

In October 2014, Obel played for the first time in L'Olympia in Paris.[34]

2015–2017: Citizen of Glass [edit]

During her 2014 tour, Obel began work on her 3rd album: "I'm planning to work less with piano, and more than with other kinds of erstwhile keyboards (...) I'm trying to find new instruments to piece of work with, and then it's sort of on the enquiry phase and starting to write things."[35] She also said: "I have some clear ideas just I'one thousand not sure information technology is a adept idea to go into specifics on such an early stage. I mainly plan to work with old keyboards like spinet and harpsichord and so encounter where they take me."[36]

In June 2015, Obel began recording the new album. She recorded strings with new musicians Frédérique Labbow, Kristina Koropecki, and John Corban.[37]

Obel (piano), Charlotte Danhier (cello), Sophie Bayet (violin) at Würzburg, Federal republic of germany (2014)

In June 2016, she released the single 'Familiar', from the upcoming album. The vocal was recorded, produced, and mixed past Obel and features the violin by John Corban besides every bit cellos past Kristina Koropecki and Charlotte Danhier. The music video was directed by Obel'south husband Alex Brüel Flagstad.[38] Hugo Cassavetti from Telerama, wrote: "Agnes Obel, while remaining true to her fine mode, expands her new musical fields. Percussions with a loud power rhythm a delicately acrobatic tune that the singer performs with a voice that was strangely moved. Yeah, Obel, as split past technology, duets with her disturbing echoes with a male stamp."[39]

In July 2016, Obel appear her third studio album, Citizen of Glass, to be released on 21 October 2016.[twoscore] Regarding the mysterious championship, Obel explained: "The title comes from the German concept of the gläserner bürger, the human or drinking glass citizen. It's actually a legal term about the level of privacy the individual has in a state, and in health information technology's become a term about how much nosotros know well-nigh a person'southward body or biological science or history – if they're completely made of drinking glass we know everything."

In addition to violins, cellos, harpsichords, a spinet, and a celesta, Obel used a Trautonium, a rare electronic instrument from the 1930s.[41]

In September 2016, Obel released a new single, "Golden Green". In Dansende Beren, Niels Bruwier wrote: "The sound of glass is never far away. The vocal is about the style we always observe other better lives than ours(…)she brings out her dreamy voice, information technology'southward actually but the perfect classic pop song without embellishment. Enchanting, elysisch and paradise-like."[42]

In October 2016, a new song from Denizen of Drinking glass was released: "Stretch Your Eyes". This song is a new version of an older 1 ("Spinet Song") which was played during her tour in 2014.

In October 2016, Citizen of Drinking glass came out. The French paper La Croix wrote: "With several great songs, the surrealist Stretch your eyes or the luminous Golden Green, Agnes Obel has created a sumptuous, odd and modern anthology. Citizen of Glass confirms, with greatness, Agnes Obel equally an important pop artist."[43]

Citizen of Glass received an boilerplate score of 82 on Metacritic, pregnant universal acclamation, based on 11 reviews.[44]

Citizen of Glass received the IMPALA (The Independent Music Companies Clan) Album of the Twelvemonth Award 2016, which rewards on a yearly basis the all-time album released on an independent European label.[45]

2018–present: Tardily Night Tales and Myopia [edit]

In February 2018, Obel was signed to Deutsche Grammophon. The contract involved Deutsche Grammophon joining forces with Blue Note for North American releases. Mr. Trautmann, president of Deutsche Grammophon, said: "We are fascinated by Agnes'south compositional autonomy and the precision with which she creates and produces her vocal and instrumental soundscapes. With every song and instrumental piece, she opens upward small universes, thus reaching a broad audition with sophisticated works. With Agnes nosotros share confidence in the long-term success of creative excellence and credibility, as well as the intention to inspire many more fans around the globe".[46]

In May 2018, Obel contributed to Late Night Tales with a series of tracks selected past the artist herself, released as Belatedly Night Tales: Agnes Obel. For this compilation, Obel presented various titles by very different artists. Music by Michelle Gurevich, Nina Simone, Henry Mancini, and Alfred Schnittke is included on this album.

Obel said: "I was surprised at how much time I ended up spending on this. I collected all the songs together with my partner Alex and nosotros only spent fourth dimension listening to records, trying to see what would fit together. Some of the music I've included hither is on mixtapes nosotros fabricated when we were but friends as teenagers."[47]

Obel combined new works with the original song "Bee Dance", a haunting reading of the Danish song "Glemmer Du", and a new version (the third one) of "Stretch Your Eyes" chosen "Ambient Acapella". The first unmarried, Inger Christensen'south "Poem Near Death", is set to original music by Obel.

On the topic of the haunting cover of Arvid Muller'south "Glemmer du", Obel explained: "In Kingdom of denmark, the vocal is best known in the version from 1932, sung by the role player and vocalist Liva Weel. It'southward one of my favourite melodies. The song is virtually the impermanence of fourth dimension and honey, with memories being the only matter you become at the finish. (...)I recorded it using analog tape and and then running the tapes again, and so it sounded old and re-recorded, playing with this feeling of remembrance and of lost time."[48]

"The entire album inhabits that desolate place of twilight solitude, and forces its listener into a way of introspection. It's a record to experience lonely. (...) There'southward a comfort to being pulled into Myopia's contemplative, isolating territory."

Elisa Bray, The Independent [49]

"Myopia was recorded during sleepless late nights in her home studio in Berlin, which is aural in the record's hushful, contemplative and weightless melancholy. Obel's wistful, rain-flecked gauziness has grown more pronounced here. Songs like "Island of Doom" and "Broken Sleep" prick the hairs on the dorsum of your neck with their unnerving dissections of the fragile human middle"

Michael Sumsion, PopMatters [50]

On 29 October 2019, Obel announced the title of her upcoming anthology, Myopia, on social media, and released the new single "Island of Doom". The album was released on 21 February 2020. Journalist Tim Peacock wrote: "Obel has been under self-imposed artistic isolation with the removal of all outside influences and lark in the writing, recording and mixing process for 'Myopia'."

About "Island of Doom", the artist said: "The song is fabricated upwards of pitched-down piano and cello pizzicato and vocals, all choirs are pitched down and upwardly… In my experience when someone close to you dies it is but impossible to comprehend that you lot tin can't always talk to them or reach them somehow ever again."[51]

"Island of Doom" features Obel on piano, vocals, and keys, and Kristina Koropecki on cello, creating a sober tone, with sweet instrumentals, and a strong vocal performance from Obel. The visual show opens up with a shot of Obel and is completely dominated with blue colors and hues, showing a unique mural that appears out of this globe.[52]

Concerning the meaning of Myopia, Obel explained: "For me Myopia is an album about trust and doubt. Tin can y'all trust yourself or non? Tin can you trust your own judgments? Can you trust that y'all will do the correct thing? Can you trust your instincts and what you are feeling? Or are your feelings skewed?"[53]

On 7 Jan 2020, Obel released the unmarried "Broken Sleep." Announcer Drew Feinerman said: "The video (created past Obel's longterm collaborator and partner Alex Brüel Flagstad) pairs perfectly with the style of the composition; Obel sings with such beauty and ease, as the vocals complement the effortless, flowing step of the visuals."[54]

Almost Myopia, announcer Tina Benitez-Eves stated: "Myopia is an abstract anatomization of the human psyche, transcending through ambience instrumentals, and an intoxicating blend of vocals, hovering on Jarboe-bred voice manipulation on atmospheric "Broken Sleep" and "Island of Doom."[55]

Ashley Bardhan, in Pitchfork, said also: "These songs are obscured like frosted glass, equally meticulously pretty and faintly unnerving as a porcelain doll. Though the album ends almost as quietly as it began, Obel's whispery ambient fog lingers far longer."[56]

In June 2020, and for the outset time, Obel shows in a video her Berlin studio and improvises some music with her band. The artist writes mostly at nighttime and is always lone in her private studio in Berlin. Normally, Obel doesn't let anyone visit her there.[57]

Artistry [edit]

Obel at Les Nuits Secrètes (2014)

Musical style [edit]

Obel is described past The Irish Times journalist Lauren Murphy as "the architect of eerie, otherworldy music that straddles neo-classical, jazz and chamber pop".[58] In another analysis, Disharmonism magazine'southward Lauren McDermott deems Obel'south music "poised and haunting chamber popular" with "wraithlike harmonies, sonic textures and bewitching melancholy" rendered with "gothic violins", "cello pizzicatos", and electronic instruments, lending a sense of intimacy reflective of the aura in Berlin.[59]

Influences [edit]

Obel is influenced past artists such as Roy Orbison and besides by the French composers Claude Debussy, Maurice Ravel, and Erik Satie.[5] She as well likes Edgar Allan Poe and photographers Sibylle Bergemann, Robert Mapplethorpe, Tina Modotti, and Alfred Hitchcock.[60] Concerning Hitchcock, she said, "I adore his enigmatic mode, his sophisticated esthetic but ever with an farthermost simplicity."[five] The cover of her first album, photographed by Berlin photographer Mali Lazell,[61] is an 'homage' to The Birds.

Obel also likes the experimental filmmaker Maya Deren. Sometimes, Obel tests some of her demos on Deren'south movies.[62] Obel is besides a huge fan of Nina Simone: "I have a fantastic live album by Nina Simone on which she sings "Who Knows Where the Time Goes". Her vocals seem to come out of nowhere. Magic."[63] In addition to classical music, Obel listens to artists like Mort Garson (The Zodiac – Cosmic Sounds), The Smiths (How Presently Is Now?), and Françoise Hardy (Où va la chance).[64]

In February 2017, and afterward her covers of John Cale and Jeff Buckley songs, Obel performed "Hallelujah" in a tribute to the late Leonard Cohen at the 'Victoire de la Musique 2017'.[65]

Personal life [edit]

Obel has lived in Berlin since 2006[66] with her partner photographer and animation creative person Alex Brüel Flagstad,[6] [67] who filmed and directed the music videos for "Riverside" from Obel'southward debut album Philharmonics (2010), and "Dorian", "The Curse", and "Aventine" from Aventine (2013).[68]

Usage in media [edit]

Obel's vocal "Riverside" was featured on the Spike Television receiver serial The Mist in flavor one, episode 2, "Withdrawal". "Riverside" has as well been featured on Grey's Beefcake, Revenge, Ringer, the British TV bear witness Lovesick, the Australian comedy-drama Offspring, and the Danish series, The Pelting, in season ane, episode ii. In improver, "Riverside" was used equally the theme tune of the mini-series Next of Kin.

Her songs "Familiar", "It's Happening Again", and "Broken Sleep" were featured on episodes of the German Boob tube serial Dark. "Familiar" was also used in the video game Nighttime Souls III: The Fire Fades Edition trailer and is the theme song to the Canadian TV series Cardinal. "Dorian" was used in the Amazon Prime serial Hanna in season 2, episode eight. "September Song" featured throughout the starting time season of Big Lilliputian Lies. "Laissez passer Them By" was featured in the HBO serial The Leftovers. "Run Cried The Itch" was used in the premiere episode of Euphoria.

"Fuel to Fire" featured during the love scene in the Amazon Prime number TV serial Carnival Row, season 1, episode 3. "Fuel to Fire" was featured on the fantasy supernatural series The Originals in season 1, episode 18 "The Large Uneasy". "Fuel to Fire" was used equally the theme tune of the 2021 BBC One series Vigil. "Fuel to Burn down" was featured in the Netflix serial Elite in flavor iv, episode 8.

"The Curse" was featured in a scene of the hitting Fox drama series,9-one-1, in flavor 5, episode 4. It was too featured in the teaser trailer PS4 of the game « The long nighttime » on YouTube

"Bee Trip the light fantastic" was featured on the trailer of the HBO dark one-act The Babe.

Discography [edit]

Studio albums [edit]

Compilations [edit]

EPs [edit]

Singles [edit]

Other charted songs [edit]

Awards and nominations [edit]

Yr Organisation Work Laurels Consequence Ref.
2011 Danish Music Awards Årets bedste album (All-time Album Of The Yr) Philharmonics Won [93]
Årets bedste popudgivelse (Best Pop Release Of The Twelvemonth) Won
Årets bedste debutkunstner (All-time Debut Creative person Of The Yr) Herself Won
Årets bedste kvindelige kunstner (Best Female Artist Of The Year) Won
Årets bedste sangskriver (Best Songwriter Of The Year) Won
2017 Contained Music Companies Clan Anthology of the Year Citizen of Glass Won [4]

References [edit]

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External links [edit]

  • Official website
  • Agnes Obel at AllMusic
  • Agnes Obel discography at Discogs Edit this at Wikidata

normanabildromfor58.blogspot.com

Source: https://en.wikipedia.org/wiki/Agnes_Obel

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